The "Insert a Scene in the Simpsons Movie" Thread.

Okay, this is going to be a thread that's based on the completed movie, but if you wanted to extend a scene, or add a totally new scene post it here.

Here's an example: The following is a scene extention just after Homer has his daydream of dancing with "Spiderpig" at Krustyburger.

HOMER: (giddy)
Aww, Bart...isn't this pig WONDERFUL!?

BART:
Meh....he's great, Dad. Oink. Oink

BART ROLLS HIS EYES AND STARES OUT THE WINDOW WHEN HOMER SUDDENLY SHOVES SPIDERPIG IN BART'S FACE.

HOMER: (even more giddy)
What's a matter boy, can't you do a better pig impression than THAT? C'mon, Bart squeal like a pig. Squeal like a pig!

END SCENE.

As Homer drives marge out of the town center on the motorcycle, in this short scene, The angle is a shot down a road that Homer and marge turn onto as the camera pans up to the street sign above reading, "Romantic Fall Scene Blvd."

This is extension after Martin beat up the gangsters.

(The scene turns to Milhouse's room with his BoneStorm game lying on the floor, his Krusty poster ripped in half, and other things are in ruins. Milhouse is seen holding two things in his possession that are not destroyed; Lisa's picture in swimsuit and a dynomite that he somehow obtained after the town went crazy)

MILHOUSE: Ohhh.... I guess this is the end of the world, (switches to stronger voice tone) Thrillhouse.... (notices that he has Lisa's picture in one hand and dynomite in another) I guess these will make a perfect death there, fate.

(Milhouse then lies down on the bed, puts the Lisa picture on his face, and lights the match to light the dynomite on his chest)
(Suddenly, Colin then peeks the window on Milhouse's room)

COLIN: Pardon me, uh--

MILHOUSE: Ahhh!!! (Stands up) You, (points at Colin) you are not going to take my girl away (shows him the Lisa's picture)!

COLIN: (surprised) Milhouse--I"m just want you to tell Lisa this if I happen to die! Please, Milhouse, tell Lisa that I loved her--

(Milhouse then lights the dynomite and throws it to Colin)
(The dynomite explodes near the sight of Colin)

(Milhouse then feels that he really has killed Colin)

MILHOUSE: Oh my God, what have I DONE?? LaRouche! LaRouche!

(Colin is then seen lying on the ground--he fell down the 2nd story window before the dynomite exploded and the decomposing mattress has saved him)
----------------------------
Maybe this could be why Milhouse told Colin died when Lisa appeared

This is a Scene that was not in the movie.

(Homer gets up on the roof with Spider Pig and some string and ties Spider Pig to some of the string)
Homer:Spider Pig Spider Pig does whatever a Spider Pig does can he swing from a web? No he can't cause he's a... (Spider Pig falls off the roof and on to the grill which is on for some reason killing him instantly)
Homer:Oh crap. why does everything I play with turn into food?
(Homer gets off the roof and goes to eat Spider Pig)
Homer:He would have wanted it this way. (Homer cries and eats Spider Pig)

Paul's Lovejoy extension

Congratulations, you've pissed of all Lovejoy fans possible.

My extension to the wedding tape...

Marge: Goodbye, Homer.

[The video tape explodes, and Homer hallucates of his birthday, and then it gets very forced in emotion]

Homer: No, please don't ruin the emotion! PLEEASSE! (crying)

[Five explosions are heard]

Homer: Techincally differents - I mean, difficulties are usual. This film will continue. Now, let me eat Spider-Pig: Oh man that's good.

-- Immediantly --

[after Homer falls off the roof at the end, there's an extra scene]

[Lisa walks into the kitchen to find Homer putting carrots into a cooking pot]

Lisa: Dad, is Plopper in that pot?

Homer: Don't worry, Lisa. He's not in this pot.

Lisa: Phew.

Homer: He's over in that pot.

[the camera shifts over to Plopper sitting in a pot with a blank face]

[the credits roll]

Originally Posted by venom

This is a Scene that was not in the movie.

(Homer gets up on the roof with Spider Pig and some string and ties Spider Pig to some of the string)
Homer:Spider Pig Spider Pig does whatever a Spider Pig does can he swing from a web? No he can't cause he's a... (Spider Pig falls off the roof and on to the grill which is on for some reason killing him instantly)
Homer:Oh crap. why does everything I play with turn into food?
(Homer gets off the roof and goes to eat Spider Pig)
Homer:He would have wanted it this way. (Homer cries and eats Spider Pig)

Homer: Hmmm...I wonder if dead people taste this good.

[Homer takes a bite of Dr. Nick]

Homer: Meh, it could use some salt.

This is sometime after the dome is placed over springfield.

INT. BURNS MANOR

SMITHER
My God, sir! What will we do? There's no escape!

BURNS
Oh, don't be so melodramatic. Come.

They begin to walk down a long coridor, and down a long system of steps to another long corridor.

BURNS
I had a system of secret tunnels built under this estate just in case something such as this occured.

SMITHERS
You mean you excpected that someone would cover this town in a dome?

BURNS
Well, not exactly. I had the tunnels build as a means of escape for when the townspeople would inevitably revolt against me, but they'll work just as good here.

They stop walking at a large door.

BURNS
Ah, here we are.

He opens the door to reveal the dome, haveing blocked off the tunnels and collapsed the butresses.

BURNS
Blast it! Now wh--

Rioting and revolting can be heard in the upper areas of Burns Manor. Burns looks frightened.

BURNS
Smithers, hold me.



That would easily work as an explanation for why they couldn't dig their way out. Also works as a precursor to the scene in the end credits.

ALTERNATE DR. NICK DEATH SEQUENCE!

Dr. Nick: Bye, everybody!
Everybody: Bye, Dr. Nick!

I'm surprised they didn't take that route. Now, here's another alternate Dr. Nick death sequence!

Dr. Nick [taking drugs]: I might as well, seeing as there's only a few minutes left to live! I guess now I can say, high everybody!

Otto [holding a gun]: You stole my gimmick!

*Otto shoots Dr. Nick*

Alternate Scenes:

NOTE: This is an entire alt. scene of the time in between Flanders and Bart finding the mutated squirrel and the dome being placed on the town, therefore there will be lines from the original version in place, so don't bitch.

(The male EPA worker has just told Bart "One more jab and it's a federal crime!". and the other worker traps the squirrel)

NED FLANDERS: Who are you?

FEMALE EPA WORKER: The Environmental Protection Agency, and we'd appreciate it if you evacuate the premises immediately.

NED FLANDERS: Now, wait a gosh-diddly-darn minute here--

(The male EPA worker steps up with a spray bottle and aims it at Ned)

MALE EPA WORKER: (authoritative) I'd suggest you'd follow our instructions. Do you know what this is?

BART: Water spray?

MALE EPA WORKER: (dejected) Well, yes. Being the least successful agency in the government only gets you so much power. Now get out of here before I mildly annoy you.

NED FLANDERS: Come on, son.

(Ned walks off while Bart stays idle)

BART: Son?

(Bart takes a second, then smiles and nods and runs off to Flanders. The female EPA worker takes out a radio and speaks into it)

FEMALE EPA WORKER: We have a possible 374B in Springfield. Notify Mr. Cargill immediately.

(The two begin loading the squirrel into the truck and drive off just like in the regular version. The scene switches to an establishing shot of the Washington Monument with the Capital Building in the background. We are in WASHINGTON D.C. The next shot is of a news reporter reporting from the White House Correspondents' Association dinner)

NEWS REPORTER: Welcome to coverage of another exciting White House Correspondents' Association dinner. We're glad to report that unlike other years, no tragic event has put a damper on the evening's events...(she gets some info from her ear bug) What's that? This just in: A shooting has occurred at a Minneapolis Petsmart, leaving dozens of pets dead. Now, to our ongoing feed of the event.

(The camera switches to the event, where a comedian is finishing his set)

COMEDIAN: ...sometimes I get so frustrated with that dog that I just nicknamed it "future roadkill"! (huge bursts of laughter) Thank you, everybody.

(The comedian walks off to applause, and the evening's host steps up)

HOST: (if I had my way, voiced by Stephen Colbert) The up-and-coming Bill Thompson, everybody. (applause) He has a long career ahead of him, I tell you what. Moving on, we here at the WHCA would like to take a moment to honor the recent induction of billionaire Russell Cargill as the new chief head of the EPA. Jimmy, roll the projector.

(A film begins to play in the style of old news reels from the '30s, complete with black & white picture)

NARRATOR: Young Russ Cargill was born like every true American, in a rustic log cabin in Arkansas, before the end of that summer when his family headed back to their Chicago mansion. (it's a huge, sprawling mansion) From there, Cargill went on to become the class valedictorian at the Uncle Rich Pennybags Private School and successfully graduated from nine prestigious law schools, all while remaining a swinging bachelor. (pic of college Cargill surrounding by bikini-clad supermodels) Things only could go up for this young go-getter as he took over as CEO of Rexxcon Oil, where he made billions of dollars through his sharp business decisions and will to never let go. Unfortunately, fate had it in for Cargill when an tragic oil tanker spill cost him his job, and set him afire under the Enivornmental Protection Agency. Cargill reversed their hatred by betraying his former company...

(A shot of Cargill at an environmentalist rally)

CARGILL: I'll keep fighting with you all, for trees come from the Earth, and from trees come the money. So without the environment, how could I spend my billions of dollars on crap I don't need?

(Huge applause. The narrator concludes...)

NARRATOR: Eventually Cargill's tirade against the "evil" oil corporations attracted the attention of the Environmental Protection Agency. Then, just three days ago, America's favorite billionaire...

(Quick shot in the dinner crowd of Monty Burns, who is angered.)

MR. BURNS: More favored than faithful saint Montgomery Burns?! What did he do to deserve such recognition?

SMITHERS: He did pay over twenty million dollars to construct his own name-brand line of orphanages across the country.

MR. BURNS: What?! Since when has kindness ever been rewarded in this country? Was it some time in those crazy '60's?! Damn you, hippies!

(Back to the film...)

NARRATOR: And so Russ Cargill begins a new journey ahead as he promises to lead the EPA to become one of the nation's strongest powers.

(The film ends and the host comes back up)

HOST: Invigorating stuff. Ladies and gentlemen, Mr. Russ Cargill.

(Cargill takes over the podium to much applause)

CARGILL: Thank you, thank you. It gives me great pleasure to tell you that the EPA is headed for a bright future and...(a man steps up to Cargill and whispers something in his year; a brief pause)....(quickly) I'll save the Earth, America rules, USA, USA, blah, blah, good night everybody!

(Cargill quickly disembarks to crickets chirping. The two EPA workers are outside next to the van, Cargill comes marching up next to them.)

CARGILL: This better be worth sacrificing my legacy speech, because-- (The male worker holds up the squirrel, Cargill's eyes widen; to his assistant) And where might this little thing have come from?

FEMALE EPA WORKER: Lake Springfield, sir.

CARGILL: A genuine non-genetic mutation? This is perfect! (to his assistant) Notify the president to meet me at Lake Springfield, ASAP.

ASSISTANT: Right, sir.

(Back at the dinner, a shot of a bold looking man is seen for a second with "Hail to the Chief" playing underneath)

MAN: (to the camera) Wrong guy.

(The camera shifts to Arnold Schwarzenegger. Cargill's assistant whispers in his ear.)

ARNOLD: What state in Springfield in? (The assistant again whispers inaudibly; loudly) The same state in which I filmed "Jingle Bell Cop"?! (stands up; heroic) Let's go fishing.

(A myriad of copters fly over the Simpson house in early morning. Inside, Marge wakes up from the noise)

MARGE: Huh?! What was that? Homer!

(She unfolds the covers to find Plopper sleeping next to her, and she screams. This awakens Homer, who gets up from his sleeping bag on the floor.)

HOMER: Excuse me, I'm trying to sleep in here.

MARGE: Why is the pig sleeping on the bed?

HOMER: Marge, he gets cold lying there on the floor, so me and him made a deal and we agreed that he would sleep on the floor every Tuesday and Wednesday and I'll take it the other nights.

MARGE: Just get him off!

HOMER: (sigh) All right. (he shoves the pig off) Sorry, Plopper, but mommy's being a bit of nag right now.

(Marge murmurs; Homer gets atop the bed)

MARGE: (suddenly seductive) Y'know, I'm so glad that you listened to me and got rid of that silo at the waste center...

HOMER: (squirming, nervous) Heh, yeah, that's what I did.

MARGE: I don't think it would be out of line for a morning snuggle.

HOMER: (referring to Plopper) But, Marge...

MARGE: (annoyed) Oh, what now?!

HOMER: We can't do it in front of him! He's already jealous of you, I don't want to drive him any further.

(Marge murmurs even louder; at Lake Springfield, Lisa and Colin are walking towards the lake with cleaning tools in hand)

LISA: Just a few more hours and I think the lake will be good as new. I mean, what could possibly happen that not only reverses the cycle but pushes it over the edge?

COLIN: (suspicious) There used to be signs here yesterday...

(Suddenly, they happen upon the area of Homer's impact and they notice the toxic, black lake)

LISA: Oh, the irony!

COLIN: What could have possibly happened?!

(Colin backs up into a three-eyed deer, he gasps and Lisa screams, and they run into many other deformed creatures, until they run off behind a tree as choppers land. Cargill and Arnold disembark.)

ARNOLD SCHWARZENEGGER: What is going on here?

RUSS CARGILL: Springfield has reached crisis levels, sir. Just look at the deformed creatures that surround us.

ARNOLD SCHWARZENEGGER: I've seen better special effects in my films! Ugh, I hate this job. It's always crisis-this and crisis-that, and to top it off, nothing! Nobody opens with a joke anymore....I miss Danny DeVito.

(Cargill picks something up)

CARGILL: You want a joke, huh? Stop me if you’ve heard… (pulls the multi-eyed squirrel out from under and shows it to Schwarzenegger) this one?

PRESIDENT SCHWARZENEGGER: (taken aback) Aah! Look at those angry eyes and giant teeth…it’s like Christmas at the Kennedy compound. This is no special effect. What do I do?

CARGILL: If you don't mind, I'll tell you in a little speech I've prepared.

PRESIDENT SCHWARZENEGGER: (sighs) Just get on with it.

CARGILL: Sir, when you made me head of the EPA, you were applauded for appointing one of the most successful men in America to the least successful agency in government. And why did I take the job? ‘Cause I’m a rich man who wanted to give something back. Not the money, but something. So here’s our chance to kick some ass for mother Earth!

PRESIDENT SCHWARZENEGGER: (eager) I’m listening.

CARGILL: Good!

(The two men head back to a van while the EPA workers confront the deformed animals, such as two testing around a mutated doe)

EPA WORKER: Watch out, Bob! They could be dangerous!

BOB: Oh, what could happen, Phil? (out of sight he pets the doe) Aw, good girl. (he lifts back up his arm to make a gesture, but it's been badly bitten) See?

(Lisa and Colin spot Schwarzenegger)

LISA: That's president Schwarzenegger!

COLIN: The American president?! How can he be any good for the environment?!

(Back at the van, Cargill pulls out five folders and presents them to Schwarzenegger)

CARGILL: I’ve narrowed your choices down to five unthinkable options. Each will cause untold misery—

PRESIDENT SCHWARZENEGGER: (pointing) I pick number three!

RUSS CARGILL: You don’t even want to read them first?

PRESIDENT SCHWARZENEGGER: I was elected to lead, not to read. (demanding) Number three!

CARGILL: As you wish sir! (to assistant) Load the choppers. (he gets out his cell phone while the agents climb back into the helicopters, which begin taking off) Jill, I want you to tell them to initiate the quarantine. That's right... (over-dramatic moment) Send in the dome.

(BIG music sting as the movie continues with the dome placing scene)

So, you can see that this is MY interpretation of trying to lengthen this area of the movie, which usually takes up three minutes of screentime. Of course, it's a bit long and I'm sure the writing staff could come up with better jokes and dialogue, but these are just ideas. I have another scene that I want to add in, but I'll go for that later...

Selma and Patty are in the Simpsons house with Marge. They see Spider pig run by them.

Selma (to Marge): You already had one pig in the house, why did you get another?

Selma and Patty laugh.

Milhouse: I've lost my woman. All that's left to do now is to pull a Jean era Moe and attempt suicide. If only I knew how.

(Ren and Stimpy run over)

Stimpy: We'll show you!

Ren and Stimpy [singing]: Oh, the lord loves a hangin'----

Reverend Lovejoy: That's blasphemous!

Milhouse: Singing about how God loves hanging?

Reverend Lovejoy: No, making references to 90s cartoons that nobody remembers.

(The camera pans over to a crowd of people, featuring The Powerpuff Girls and various other 90s cartoon characters. They go "Awww" and slink away.)

Lisa: It looks like Maggie has something to say!
Marge: Oh my God! Her first word!
Maggie: Sequel?
Lisa: Wait, if Maggie's intelligent enough to speak, why can't she use the toilet?
Maggie: Lazy.

Homer: Hmmm...I wonder if dead people taste this good.

[Homer takes a bite of Dr. Nick]

Homer: Meh, it could use some salt.

So Homer's a cannibal now? And people are okay with it? Oh okay.

I personally believe that discrimination against blacks, gays, and cannibals is wrong. You sicken me. Do you also hate that people are okay with how Patty's gay?

It is the scene where Marge asks Homer to properly dispose of Plopper's waste.

Marge: You can take Spider-Pig with you!
Homer: He's not Spider-Pig anymore, he's Harry Plopper.
Marge looks at him.
Marge: Where did you get those glasses?
Homer: Somewhere in the yard, I don't understand why they have N.F. on them.
Cut to Flanders' bedroom.
Ned reaches for his glasses and opens his eyes, but he can't feel the glasses.
Ned: Oh, boys! You're daddy's eyes!
Rod & Todd: Yay!